Libros

Índices de contenidos

© 2000 Musikverlag Schülling

ISBN 3-925572 04-X Kamen

Friedrich Lips The Art of Bayan Playing Content
Editor's Introduction to the German Edition
	Music and Bayan-Accordion in Russia				11
Introduction to the Russian Edition
	About the Author and His Book				25
	I.	Creating Tone			33
		1. Forms of Articulation			36
			Bellows-Fingers Coordination		36
			Keystrokes		38
				1. Pressing	38
				2. Tapping	40
				3. Striking	41
				4. Glissando	43
			Bellows Techniques		49
				1. Bellows Shake, Tremolando	53
				2. Bellows Triplets, Triple Bellows Shake	55
				3. Bellows Ricochet	56
				4. Combined Bellows Techniques	60
			Vibrato		61
				1. Vibrato in the Treble	62
				2. Vibrato in the Bass	64
				3. Simultaneous Vibrato in Treble and Bass	64
			Performing Various Types of Articulation		66
				1. Legatissimo	66
				2. Legato	67
				3. Portato	68
				4. Tenuto	69
				5. Détaché	69
				6. Marcato	70
				7. Non legato	71
				8. Staccato	71
				9. Martellato	72
				10. Staccatissimo	73
		2. Registers and Their Combinations			74
			Dynamics		85
			Tonal Perspectives		94
			Phrasing		98
	II.		Playing Technique		100
		1. Playing Comportment			101
		2. Elements of Bayan Technique			111
			1. Creating Tone		111
			2. Ornamentation		112
			3. Scales and Scale-Like Passages		119
			4. Arpeggios in All Forms		119
			5. Two-Tone Combinations		122
			6. Chords		125
			7. Jumps		126
			8.Polyphony		128
		3. Fingering			128
		4. Work on Technique			136
	III.		Interpreting a Musical Composition
		The Artistic Picture			147
		1. Content			150
		2. Tempo			152
		3. Rhythm			154
		4. Interpretation			162
	IV.		Particulars of Concert Activity		174
		1. Selecting the Repertoire			176
		2. Before the Concert			181
		3. Concert Day			182
		4. The Concert			187
		5. After the Concert			191
	Epilogue				193
	Biographical Register				197
	List of Musical Examples				200
	List of Names				203
	References				208

www.musicforaccordion.com